Lectures

MODELS OF COLLABORATIVE, TRANSCULTURAL AND TRANSDISCIPLINARY FORMS OF CURATING

ICA-Sofia

place: Sofia
year: 2019
language: english
duration: 1:20:01 min
:

Presentation of Reza Afisina and Iswanto Hartono from ruangrupa, collective-curator of documenta 15, 2022 in Kassel

ICA-Sofia

place: Sofia
year: 2019
language: english
duration: 2:00:37 min
format: HD, 1920 P, 16:9

MEMOIR, MEMORY, LIFE, NATURE, FREEDOM

ICA-Sofia

place: Sofia
year: 2019
language: english
duration: 39:18 min
format: HD, 1920 P, 16:9

THE LIVING TOGETHER AND ITS ENTAGLEMENTS. CURATORIAL PRACTICE AS A CONTINUOUS STATE OF HUMAN ENCOUNTER

ICA-Sofia

place: Sofia
year: 2019
language: english
duration: 1:49:37 min
format: HD, 1920 P, 16:9

NSK State in Time

ICA-Sofia

place: Sofia
year: 2017
language: english
duration: 57:31 min
format: HD, 1920 P, 16:9

JULIETA ARANDA IN SOFIA

ICA-Sofia

place: Sofia
year: 2017
language: english
duration: 1:39:01 min
format: HD, 1920 P, 16:9

ABOUT JERMOLAEWA

ICA-Sofia

place: Sofia
year: 2017
language: english
duration: 1:44:39 min
format: HD, 1920 P, 16:9

LIGHT MATTERS

ICA-Sofia

place: Sofia
year: 2017
language: english
duration: 1:24:14 min
format: HD, 1920 P, 16:9

The Biennial in Venice – Viva Arte Viva!

ICA-Sofia

place: Sofia
year: 2017
language: bulgarian
duration: 2:30:04 min
format: HD, 1920 P, 16:9

Visual Culture, Economy and Public Space as a Context for Christo and Jeanne-Claude’s Art

ICA-Sofia

place: Sofia
year: 2015
language: bulgarian
duration: 1:34:11 min
format: HD, 1920 P, 16:9

Europe on the Crossroads, or an Affirmative Critique. Part 2

Piotr Piotrowski

place: Sofia
year: 2014
language: english
duration: 22:31 min
format: HD, 1920 P, 16:9

Europe on the Crossroads, or an Affirmative Critique. Part 1

Piotr Piotrowski

place: Sofia
year: 2014
language: english
duration: 51:44 min
format: HDV 1080p, 16:9
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Vector. ICA-Sofia: Motives, Analyses, Critique is a project by the Institute of Contemporary Art - Sofia.
The project is realised with the financial support of the National Fund Culture, Critique Programme